← All opportunities

Backwards/Forwards: A Call for Handmade Prints

Submit 3–10 handmade prints that consider time as material, memory, pressure, inheritance, repetition, rupture, and possibility.

Does this fit your work? 5 questions score every call to your medium, location and budget. Free.

Get matched →
41 days left
$35
Silver City, New Mexico
Oct 8, 2026 → Nov 7, 2026
Sep 16, 2026

Not applying today? Leave an email and we’ll nudge you before the Sep 13, 2026deadline, so this call doesn’t slip.

One reminder for this call. Free, one click to confirm, unsubscribe anytime.

Heads up: this show’s exhibition window can overlap other calls you enter - the same piece can’t hang in two places at once.Check conflicts →

Backwards/Forwards invites artists to submit handmade prints that consider time as material, memory, pressure, inheritance, repetition, rupture, and possibility. Time may be experienced as linear, circular, layered, transparent, opaque, fragmented, geological, ancestral, intimate, political, or otherworldly. This exhibition asks artists to look both backward and forward: toward histories that shape us, futures we imagine or fear, and the present moment where those forces meet.

  • Memory, ancestry, archive, family history, migration, or cultural inheritance
  • Environmental time, extinction, regeneration, seasons, land, weather, or geological change
  • The body over time: aging, healing, loss, endurance, repetition, ritual, or care
  • Political and social histories that continue to shape the present
  • Speculative futures, imagined worlds, warning signs, hopes, omens, or portals
  • Print processes that reveal sequence, layering, reversal, pressure, transfer, or trace

All entries must be handmade prints created by the artist using traditional printmaking and/or photographic processes and produced within the last 5 years. 3D and experimental work is encouraged. Any combination of processes may be employed including but not limited to silkscreen, letterpress, calligraphy, etching, woodcut, lithography, linocut, drypoint, mezzotint, monoprint, polymer plates, silver gelatin prints, photopolymer gravure, copperplate gravure, cyanotype, vandyke, gumbichromate, palladium, platinum, carbon, salt, chemigram, lumen, argrotype, oilprint, chlorophyll, instant transfers, and lifts. Digital processes may be included when they are meaningfully integrated with handmade printmaking methods. AI-generated and purely digital prints are not eligible. Work needs to arrive at the gallery ready to hang, but framing is not required. Magnets, clips, and other methods can be used.

  • September 13, 2026, midnight Mountain Time — Submission deadline
  • September 16, 2026 — Notification of accepted entries
  • September 30, 2026 — Accepted works must be received
  • October 8–November 7, 2026 — Exhibition dates
  • October 8, 2026 — Backwards/Forwards opens
  • October 9, 2026, 5–7 pm — Public reception
  • October 9–12, 2026 — Southwest Print Fiesta
  • November 7, 2026 — Exhibition closes
  • November 9–13, 2026 — Return shipment of unsold work
  • $35 for three pieces
  • Additional pieces $1 each
  • Artist covers return shipping costs and labels
  • FedEx is the preferred shipping method
  • Double boxing is recommended; no peanuts, please

Open to international artists. Submit 3–10 handmade prints (maximum 10 total per artist).

photographyprintmaking
Entry fee
$35 for three pieces. Additional pieces $1 each.
Entries per artist
Up to 10
Theme
Handmade prints that consider time as material, memory, pressure, inheritance, repetition, rupture, and possibility. The exhibition explores how artists engage with cultural pasts, inherited legacies, and imagined futures through printmaking processes that reveal sequence, layering, reversal, pressure, transfer, or trace.
Eligibility
Open to international artists.

Every listing links to the organizer's official page. Always confirm deadlines, fees, and entry rules there before you apply.